(out of 5)
Crash (2004) 3.5I liked it overall, but there were too many caricatures. Creating caricatures to make a very valid point is unnecessary, and is the easy way out. If we look back and find that this movie has had an impact on society, I will rate it higher in retrospect.
The Devil's Rejects 4Very stylish; a sequel better than the original. The only reason I didn't give it a 5 is that it's a bit difficult to say that a movie based on this type of material is perfect :)
House of Sand and Fog 4Crash reminded me of this movie, and I think this one was slightly better. The way that the conflict is setup is very good, and it left ambiguous feelings, even though, logically, the moral perimeter was clearly defined.
Garden State 5Excellent, and perhaps just because this subject matter is relevant to me and underexplored (mainly because it is a recent phenomenon).
Cinderella Man 3.5To me, this was more of a depression-era slice of life than a film about boxing. The finale was very well executed, but I have a feeling that I wouldn't have found it as gripping if I hadn't watched
Million Dollar Baby recently, though my excessive viewings of
Rocky IV had an impact on my viewing of this one, too.
Batman Begins 2I like bats. I like the point that, to be intimidating to others, a man would model himself after what he himself finds most frightening. But, a man that wants to act like a bat is a bit strange. And, when I see
Christian Bale, I can't stop seeing Patrick Bat(e)man from
American Psycho -- a movie that I liked better than this one -- and this obviously has a deleterious effect on the focus of the movie for me.
Palindromes 4I like
Todd Solondz movies a lot. He doesn't stop at introducing quirky characters. He explores them, whether they're the lead or not. This wasn't his best movie, and I liked the three predecessors more than this one. In this one, he uses different actresses to play the same character throughout the movie, allowing you to explore whether or not you feel differently about a character based on how they look. I think he did it for more reasons than this, but I thought that this was one of the interesting results.
The Barber 4A Canadian movie that's not about
odd sex or
homicidal squeegee kids usually stands a chance with me, and this one had a lot of atmosphere, partly due to the lack of light (it is based in Alaska during the season of perpetual darkness). It had a very strange mistake right in the first scene of the movie, but other than that it was great.
Ripley's Game 5John Malkovich is excellent in this role. I suspect that, to appreciate it, you have to be interested in the terrible effects that sociopaths can have on your life if you can't weed them out early on in their involvement.
Eternal Sunshine of the Spotless Mind 3It seems like
Charlie Kaufman has figured out that, to avoid the sequel curse, you just have to make sure that you avoid making sequels with the same characters, and that you can't give the movies similar names. This one is similar in concept to
Being John Malkovich and
Adaptation., and I felt like I was watching a sequel to one or both of those movies.
Million Dollar Baby 3After this one, I felt similar to how I did after Crash, and they were screenwritten by the same person. Frankly, I don't really find womens' boxing very appealing,
especially if they're also mothers (which, in this, she wasn't, but I think it's a worthwhile emphasis). The film was well-directed and well-written, but it's one of those movies about which I will agree with someone who says that it was an academically-sound movie (unless they're drinking a latte), but that didn't really motivate me in any particular direction.
...and one for TV (just to make a point).
Dawson's Creek 5This is the only TV show that has meant anything to me over the past 10-15 years, though I don't watch much TV. The last 2/3 of the series ruined what was a very sensitively told fable-with-a-grain-of-truth. Most of the negative hyperbole about the moral decadence of this series was based on the last 2/3, and I agree with much of what has been said. The first two seasons (particularly the first season) were excellent. I was able to relate very much to the neurotic lead -- the aspiring screenwriter who scripts his future based on an unassuming seed, and is disappointed when the script isn't followed as closely as he'd like. The characters were real, they had depth, and they were consistent. They talked a bit too much like adults, and always seemed to know better than their parents, but that's artistic license, I suppose. The show started to deteriorate when the original creator began to distance himself from the show at or around season 3, although seasons 3-4 were still quite good. By season 5, it was almost unrecognizable. The creator came back to cap the series with the finale and, although I didn't like the outcome, it brought faithful closure.
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