John Mayer : Battle Studies : album discussion
I picked up John Mayer's fourth album "Battle Studies" yesterday and, after digesting it for a couple of days, am about ready to comment on it. First of all, the cover art looks a lot like an 80s pop cover to me. It's the type of thing I'd more expect of someone like George Michael (or, dare I say, Morrissey?). It's a nice cover, but difficult to extract meaning from. On the other hand, it fits the tone of the album perfectly -- subdued even when energetic.
A lot has been said about the album in reviews and on Amazon already, so I won't repeat too much of that. It seems like some people who did not like "Continuum" seem to be OK with this one. Overall, it is a less simple sound than the previous album, and the sound design seems different -- there seems to be far less space and dynamic range in the tracks than on "Continuum". It's more like a softened version of the "Heavier Things" sound.
When I first popped the CD in after getting home with the album, my first impression was that I was not impressed. It sounded like an average adult contemporary pop album and I was disappointed. But I remember that I had felt the same way about "Continuum" when I first heard it. It wasn't long before I found myself listening to it multiple times a day for about 2 months straight. I am finding the same pattern emerging with this album, and it's interesting that if you read the Amazon reviews then many people say the same thing: you have to give it time and a chance to work its magic. It's almost as if the songs all sound the same at first but then develop their own personality as you get to know them. This doesn't happen with very many other artists, but it happens with almost all of my favourite artists and it will be true with "Battle Studies". Albums that I like instantly are usually albums that I quickly tire of: easy come, easy go.
There is no grand pop song like "Belief" on this one, although "Assassins" is in the same vein. Of the reviews I've read, "Assassins" is either overlooked or criticized. Someone on Amazon derisively said that it was like "Seal meets Paul Simon". The Seal influence is definitely there with the pervasive background vocal patterns, but I don't hear the Paul Simon influence. It is quite clearly a John Mayer song, with an aggressive guitar backing and enough variety in composition that it will not wear out its welcome quickly. And, actually, this is becoming one of my favourite songs on the album. I am surprised it has been met with indifference.
The album is cohesive, as if the songs belong together. It does not overstay its welcome, and there is no filler. This is becoming a special skill these days, with quite a few of the albums I've bought recently being filled to the brim with songs that don't belong getting in the way because of an apparent lack of editorial control. The sound characteristics are also consistent between tracks.
The first track -- "Heartbreak Warfare" -- has universally been assumed to be about some fling he had with the actress Jennifer Aniston. Unless he has declared this somewhere and I've missed it, I don't know how that conclusion comes about. He has written many songs like it before, and that is praise and not criticism. It's an interesting song with quite a bit of musical variety.
The only silly thing about the album is the promotion of some non-descript country singer named Taylor Swift with a "featuring" credit on the song "Half of my Heart". This credit is so funny because she essentially sings two lines in the whole song -- the same line twice in the chorus near the end -- and the song might have been better for it had he just put a guitar swoon in place of her voice. This oddly reminded me of the gimmick of Becel producing a variety of their margarine with Bertolli Olive Oil in it. The goal is to cross-promote the products, but not contaminate either one. First of all, you would not want the taste of olive oil in your margarine so it's best that you put in as little as possible. And, second, it doesn't really matter whether it's Bertolli or any other brand of olive oil if you can't taste it. He could have left out Taylor Swift and nobody would have noticed, except that he wouldn't have been able to add her name on the album cover, which I assume was the only motivation. It was as if they were trying to ensure she had as little negative impact on the song as possible while still being able to use her name, and it is really quite obvious when you listen to the song!
I don't really "get" the cover of "Crossroads". I have never heard the original, but I can understand why it isn't very well-received. It sounds like what could be a delta blues song, but he has applied massive effects to the guitar, making it sound somewhat like a clavinet. Having also added a tight pop-like backing, it sounds like it has turned what was meant to be a soulful song into a routine pop one.
But, overall, it's a very good album and one that I look forward to listening to a whole lot more!
Labels: album review, battle studies, john mayer